The script for Casino Royale made director Martin Campbell anxious. This was his second reboot of the James Bond franchise. On the cusp of production, he understood the movie’s centerpiece– a face-off between 007 and the blood-eyed villain Le Chiffre– took location around a peaceful poker table.

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“It was the thing I sweated on more than anything else.”

In 1995, Campbell introduced Pierce Brosnan as Bond with Goldeneye, which moved on from Timothy Dalton’s gritty take into a more fantastical world. By the time Brosnan finished 2002’s Die Another Day, driving undetectable automobiles through ice palaces, Bond manufacturers had understood the franchise had moved into self-parody. “They wanted to bring it back to earth,” Campbell states.

His Bond was strong, careless, mentally charged. It was the ideal kind of character to get included in a high-tension poker video game. Still, Campbell believed, how would he animate this green-felted drama?

” It was difficult to think how you keep the audience participated in those card video games,” the movie’s editor Stuart Baird states. “Everybody was stressed that individuals would be tired with it.”

Campbell broke it. The approximately 30-minute gambling establishment series plays as a skillful microcosm of the motion picture– it has its narrative arc, sprinkled with punctuations of the fight and death-defying shocks. It shows off Bond’s psychological expertise and mortality. It showed Craig capable of daredevil delights and martini-sipping improvement and leveraged his abilities into one of the best representations of poker in movie history. “I think the series was pretty persuading,” Campbell states. “What you realize is, it’s not simply the card video games– it’s the stakes. It’s likewise two people eye-fucking one another. That was the trick.”

Pulling it off took weeks of research, tight editing, and, most importantly, a commitment to poker credibility.


Before they started shooting Casino Royale in Prague, Campbell feasted gambling classics like The Cincinnati Kid and 5 Card Stud. He needed to understand the game on a molecular level and leaned on veteran producer Michael G. Wilson, who also served as a casual poker specialist, to teach him the outs and ins.

While on that movie’s set, Baird kept in mind how Donner had picked to shoot Mel Gibson and how he developed tension for the movie’s climactic scene. “He said shoot whatever you can believe of, especially eyes, looks, close-ups,” Baird remembers.

Baird’s recommendation fits Campbell’s action-oriented background seamlessly. In one of the movie’s propulsive opening scenes, Bond goes after a bomb-maker throughout Madagascar’s building and construction website. It’s a mesmerizing parkour pursuit, and Campbell catches the pair’s dare devilish aerial gymnastics from every angle. “He’s a bull in the china store,” Campbell states of Bond. “He tosses himself no matter what the threats are. He’s not thinking.” The kinetic filmmaking– the quick cutting and various viewpoints– in addition to 007’s spontaneous style, provided the director a plan for bringing the staid poker scenes to a comparable life.

To accomplish the subtleties of the game, the production got Tom Sambrook as a formal poker consultant. While at drama school in his 20s, he’d began playing poker religiously, ultimately becoming a professional at the Victoria Gambling Establishment in London. In 2002, he won the European Poker Champion, and over the next three years, as the video game moved online, Sambrook earned a living beating beginner on the internet. Then, in 2005, a quick came through his actors’ agency asking for somebody to help direct a poker competition in Europe. “It wasn’t obvious what it was,” Sambrook says. “I went up for it, and only then, when they shipped me out to Prague, where I fulfilled Michael Wilson, did I understand it was a Bond gig.”

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As Campbell and his team developed and prepared their makeshift gambling establishment, a set that would give the director space to put the camera anywhere he’d like, Sambrook started training numerous stars (some for the primary competition, others for the motion picture’s earlier games) to change them into legit-looking players., where they’d set up a poker table,” he states. “I ‘d just generally inform them what the outright bare minimum was that they required to understand to look like they had been playing this game.”

Sambrook discusses seasoned poker players run with an absolute economy– they manage their cards, stack their chips, and move their eyes in little, effective manners. With such a massive pot on the line, displaying those subtle virtues was critical. “There’s none of these grand movements, absolutely nothing lavish,” Sambrook says. “It looks weird if you reach the poker table with loads of attitude but not much going on behind it.” He impressed upon actors to lose clich├ęs and change them with a basic decision-making process. He lectured them about the aerodynamics of tossing chips and the value of keeping cards flat on the table. Effectively, all the “stuff that stands out like an aching thumb if you don’t [play a lot],” he says.

Wilson also staked a friendly game throughout the production’s off-hours to teach the rules and policies to get the crew involved. Some cast members even went to casinos in Prague to enjoy the natural flow of specialists. “I’m a Scotch Presbyterian– I hate gaming,” Baird admits. “I think Daniel Craig won [our game]. I lost after about 15 minutes.” Including another layer of authenticity to the movie, Campbell cast Andreas Daniel, an Austrian casino inspector who “might do all the tricks,” to be the motion picture’s official dealership. “I was lucky,” Daniel states. “My experience as a dealer assisted a lot.”

By the time shooting started in Karlovy Vary, the cast– including Mads Mikkelsen and Jeffrey Wright– became addicted to poker. “We ‘d be playing games constantly in between takes,” Sambrook chuckles. “They’re paid good per diems,” Sambrook states.

The aesthetic goal, of course, had been achieved. For the next nine days, Campbell had a cast of professional-looking poker gamers– not to point out lenders, dealerships, and observers– at his disposal. “I thought they were engaging,” Campbell says, before acknowledging the challenge of shooting it all.

Although Casino Royale established a store in Prague, the actual poker series happens at a Montenegro hotel. Inside, Bond has been staked by MI6 to play in a global hold ’em- style poker game hosted by Mikkelsen’s LeChiffre. The film’s bad guy hopes the 10-person, $130 million games will recover his current financial losses and appease his angry customers, thought to be worldwide terrorists. Bond’s involvement implies possibly funding wrongdoers. He’s Britain’s most OK shot to bankrupt LeChiffre and ends his private transactions.

Ultimately, only three hands matter in Casino Royale, and they all include showdowns between Bond and LeChiffre, providing a three-act structure to the heart of the motion picture. The very first watches Bond muck his cards and deliberately lose to find LeChiffre’s inform; the second watches LeChiffre dupe Bond and remove him from the table with quad jacks; the 3rd watches Bond return to the competition to redeem himself with a straight flush. In in between, Bond invests a drink break by suffocating two assassins in a stairwell and, at the last intermission, endures a poisoned beverage after Vesper (Eva Green), his British accomplice, defibrillates him with his life hanging in the balance.


” This is Bond before he becomes Bond, believing with his heart rather of his head,” Campbell states. The point was you would never play it as one long, single game… I believe it would have checked the audience’s perseverance.”

“You’re altering the variety, so you preserve the interest from an audience point of view,” Baird says. Campbell also had to be aware of the connection and used crew members to fill in for gamers in between takes to identify his next shot. “When I called cut, you would have to go back to a specific point, and everyone’s chips had actually to be put back; all the cards had actually to be communicated,” he states.

Baird watched the dailies on set and cut together the scenes in real-time, making sure the poker kept a fast rhythm. As a method to tell and describe the video game, Mathis (Giancarlo Giannini), Bond’s contact, enjoys with Vesper from afar and discusses the hands, the chances, and the inspirations of each gamer. His commentary became a helpful guide for those unfamiliar with the video game and the implications of a check, call, or bet. “You have to get shots of observers watching them, especially Vesper and Mathis,” states Campbell, applauding Baird’s financial options. “You need to have the material to be able to manage the pace of the edit.”

From the script alone, Sambrook understood that Purvis, Wade, and Haggis had actually “clearly played poker,” which the cards constructed the drama successfully. But the characters’ wagering strategy, specifically when LeChiffre removes Bond from the table, had defects. In the initial script, Bond moves all-in once he sees LeChiffre’s information. In actuality, Sambrook acknowledged that Bond would have teased his opponent until the last bet, attempting to coax more chips if he believed he was bluffing. “That had to alter,” Sambrook states. “I put in [the script] that Bond does the teaser re-raise, causing the big all-in. It took possibly six weeks to get that approximately Martin Campbell […] I said, ‘You have got to read this,’ because most people won’t care or know, but there will be hardcore poker players that will state, ‘They have done it again. Why can’t they get this thing right?'”.

Two challengers go all-in, and after a long stare-down with LeChiffre, “the stalemate,” Campbell suggests, Bond risks his whole chip pile, too. After each gamer reveals his cards, Bond pauses drastically and then flips over a five and seven of spades, completing an unlikely straight flush and winning the tournament.

The success is symbolic of the brand-new Bond– he’s not flashy or noticeable. “He wins with an inconspicuous straight flush, rather than the royal flush,” Sambrook says. Over the nearly 15 years since the film’s release, the improbability of each gamer’s choice to risk whatever has been discussed over Reddit and by other poker gamers. Sambrook, who advised Campbell on the sequencing of bets and bluffs, stands by the improbable scenario as a highly satisfying cinematic pay-off.

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” It’s not representative of an average hand. But the important thing about hold ’em is it does develop these factories of insanity,” the poker consultant states. “That’s why I like video games. It produces this extremely close, explosive scenario. As soon as you have a board with cards that close together, everybody’s considering the house, everybody’s thinking about the flush, everybody’s thinking about the straight. And in there is the ill sensation, Christ, does one of these men have a straight flush?”

Before Bond leaves the table, he slides a plastic chip worth $500,000 over to the dealer as a courtesy pointer. “I always laugh at the end when Bond just flips him half a million,” Campbell states.

Midway through shooting the poker series, Campbell knocked out the video game space’s wall and wheeled in a crane. Unsure if he was required to convey considerable sweeping shifts into the motion picture to indicate the passage of time, the director set up a time-lapse cam above the table.

Second-guessed and slammed by dubious Bond fans when he signed onto the production, Craig redefined the function by exposing its humanity. He then gives his cruelty at the table, moving into a smooth-talking, card-playing rival to match Mikkelsen’s commanding existence.

It’s a complex shift needed for such a mysterious, famous character, and Craig showcases his deft ability, quite actually, in spades. “He appeared like a person who had remained in the special forces instead of the leader of a boat,” Baird says. “And that durability, that sense of edginess, and lack of convenience– he brought them off effectively.”

Subsequently, the video game itself– its authenticity and attention to information– instantly elevated Casino Royale into poker film canon. Though mainly an action director, Campbell dealt with the product with seriousness and elegance that set the tone for the remainder of the Craig era. He made poker available and, in effect, captivating, helping the motion picture make $606 million at the worldwide ticket office. “I believe it’s a combination of everything,” Campbell states. “We attained what we set out to do, which was reboot the franchise into a far more modern, more reasonable method.”

As Sambrook can confirm, the movie’s 2006 release also taken advantage of poker’s skyrocketing, telecasted popularity at the time. It didn’t take long for professionals to saturate online games, an effect that pressed him back into academics. Still, he’ll constantly be appreciative of his experience having fun with Craig and Mikkelsen and making an extra scratch from his other temporary apprentices– among whom the British star Ade shared his flight home, eager to keep his rare poker experience alive simply a bit longer.

” I played my last video game actually as the wheels of the plane hit the tarmac in Heathrow,” Sambrook states. “I won with King-high. It was just fantastic.”

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Casino Royale – Audiobook Download – Author: Ian Fleming; Narrator: Dan Stevens; Format: Audio Book (Digital Audiobook Download)

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